Tuesday 17 May 2011

Philosophies of Non-Space: Laws of Non-Space.

Well in the last entry we hit a sticking point in that we struggled to define a black hole as space or non-space due to a lack of any “rules” on the definition of the terms. This must be remedied to formulate coherent criticism.

Let us start with our key terminology on the subject. Non-Space; A place/space without purpose where purpose once was, this phrase has been my grounding so far so we will use it as a grounding now. I think the other discrepancy is how black and white the theory should be. In many ways it lends itself to a very monochromatic stand point but that always leads you to having subjects where the formula doesn’t apply.

OK, a place as defined by Auge is “encrusted with historical monuments and creative social life” (Non-places: Introduction to an Anthropology of Supermodernity (1995)) which in my view is small minded and fairly class bias in many ways, however this is not to say that this isn’t a starting point. I agree with Auge in so far as areas of social and cultural value are defiantly space/place; I think we need to define the difference between space and place before we go further.

I think I would suggest that the most logical differentiation between the two would be that space be an area of concept or matter of ephemeral or intangible qualities. A place on the other hand would be a more certain tangible “thing” a building person or object perhaps. A black hole, for example, or an idea of cultural nuance would fall more comfortably into the space category; an opera house or Bob Marley or a pair of spectacles would be easier defined as a place. However that does lead us to a minor gray area and contradiction of our foundation, a space if being used as a definition of a concept. Does a concept have purpose/ did it ever have purpose, one could take somewhat of a Cartesian line and suggest that the very fact that it was thought gave it purpose; you validate it with your cognition.

So back to Auge. Socio and cultural value as a concept would be space, where as the material and structures that aid the concepts continuation would be place. What I was saying however, was that it is a very class bias view, it takes into account a very middle to upper class stand point and discredits working class ideals to a large extent. I would probably struggle to agree with him on the discreditation of public spaces of non-cultural value (bus stations, motorways, hotels etc.) and non-place. Under my definition they have purpose up until the discontinuation of said purpose, particularly when defined by said purpose. A disused bus stop for example would be forced into the category of non-place due to the fact that its defined purpose has ended.

I think in that ramble I more or less defined that, non-place at least, is a black and white issue; so let us move on to space. Concepts by their very definition are not black and white issues. They tend to be wobbly things driven by opinion and fashion, however to create some sort of grey scale would mean the creation of exactly that, a scale of definition. Rationally it would become more of a valid concept and therefore space the more provable it is on scientific basis. Gravity for example would be more a space than the existence of an omnipotent being of higher power. That does cause a problem in that definition becomes impossible to a large extent as any concept has the potential for some validity, particularly as we have discussed the idea of validation through cognition. And a concept by definition is conceived of and that would require cognition therefore validating any concept.

That leaves us in a corner a little bit. Would it be too easy to just say that space is always space and only place can be non-place? Yes I think it would. Logical you would alter the goal posts slightly and say that a concept is space until proven otherwise. For example the ancient idea of the earth being flat, that concept “took up” space until proved wrong, consequently becoming non-space. Every action has an equal and opposite reaction.

So let’s sum up what we have.

+Place- certain and tangible material that aids and supports concepts. Something defined by purpose where the purpose is in effect.

+Non-Place- a “place” that has ceased to support its concept. Something defined by a purpose where the purpose is no longer in effect.

+Space- any concept that has not been disproved/ discredited.

+Non-Space- a concept that has been disproved/ discredited.

I will now use my new rules to decide on weather black holes are space/non-space/place/non-place.

They are physical entities; to have the gravitational pull they do they require a physical density of some sort, even if it is an all absorbing core of particle matter. That would qualify it as place, unless you make an argument that it has no purpose. I however don’t see why destruction isn’t a purpose if that is indeed what they do. It is possible that they are integral to the “life cycle” of the universe. And in speculating about such things I have just defined them as space also.

However having done that, I now feel compelled to re-examine space. Is it that it is defined as space through the individual’s cognition or through academic cognition?

Berlin Skyline

Thursday 5 May 2011

Tuesday 3 May 2011

The Marsh





Forgot about these, bloody grim photos as usual.


Philosophies of Non-Space: Black Holes

Black holes, centres of infinitely dense matter with the gravitational pull to make God shit sideways; are they space, or non-space in space?
Start by thinking of space time, think of it as a mountain range dictated by gravity and density, Einsteinian relativity. Everything in the universe effects it’s pattern, for example the moon would be falling into the earth’s valley, whilst the earth would fall into say the sun and so on.So as we wonder the mountain range of space time we happen across beautiful vistas of deep crevasses in the fabric of the universe with floating balls of gas, foreign worlds and shiftingnebulae of particles. Looking down from our vantage point we see the valley seems to plunge to unfathomable depths, looking like a peak inverted, burrowing into the ground, this would be a black hole. Whilst considerably smaller than say a galaxy its density and thus the gravity produced by it’s immense and ultimately all consuming.
Black holes are formed from the deaths of massive stars, supernovas that implode and are ultimately pushed back in on themselves to a core of massive density by gravity. These areas of space then begin to draw matter to them, noting can escape after a certain point, the event horizon, not even light can escape this barrier of space time. The core of the black hole cannot be seen because of this and that is where my debate starts. Does that mean that they are entities of space or non-space?
In a purely empirical sense I think one would probably conclude the latter since ultimately there is nothing to be observed there, it is a total absence of anything in a lot of ways. From a rational point of view I suspect you could come to much the same conclusion, they are destructive forces and by definition areas of unknown or nothingness. However this hasn’t prevented theories of them shooting the matter they consume across the galaxy or acting as portals of one kind or another, though I sense that that is more farfetched whimsy than solid science in many ways. So from those arguments we are looking pretty dead cert for non-space. Or are we?
The very fact of their existence is in a way a defence for them being space, as does their affect on space time. I also would suppose that in the same vein as the ideas of portals are improbable, its an unknown and therefore can’t be discounted from the argument. An area of space with the capacity to transmit something from one side of the universe to the other would have purpose making it a valid space.
However on that note, the fact that they are dead stars collapsed and engulfing would infer the statement “spaces without purpose where purpose once was”, unless of course you’re going to suggest that destruction is a purpose, which I guess would be a logical enough argument.
I’m actually quite torn on the whole thing, I don’t really know which way I’d fall on it, not without creating some more stable limiters for the concept of space/ non-space. I think that may just be my next task.

Monday 18 April 2011

For all men are beutiful and terrible. The nature of humanity is to take and take and mask it with a glamour of justice.
There is no just man, no richous man, no valley of shadows. There are only men, and men beget men. We are parasites but so arrogant as to think we are most perfect thing in creation. What fools we are.

Thursday 14 April 2011

A Place Without Purpose Where Purpose Once Was.







This piece is an exploration of the ideas of space and non-space. Pallets are a very good representation of this concept and more particularly the idea of a place without purpose where purpose once was. Pallets have no use on their own, they are defined by their contents, and broken pallets have even less use. In conjunction with this a TV screen of static again links to this idea, since a television is also defined by its contents to a large extent.

I would like to say a special thank you to the good people at Titanic Brewery, Burslem, for the kind donation of materials.


http://www.titanicbrewery.co.uk/home.html

Thursday 17 March 2011

Emilio Vedova



This was part of a work in the Berlinische Gallery entitled Absurdes Berliner Tagesbuch (1963-65) and this part of it in particular got me thinking about the potential of suspending my blocks, hence it's here in the blog.

Berlin Skyline






These pieces and more like them will work alongside the sculpture work and in conjunction with the photography, they are as much reference and development as finished articles however.

Bernd & Hilla Becker


(sourced from: c4gallery.com)


Berlin Skyline




This piece is the first in a series of blocks exploring space and non-space. The idea of removing sections from a set space, taking inspiration from architectural form, is what I am now moving the project forward with. I am also considering permanent insertions and possibly suspension of the blocks.

Friday 25 February 2011

Inside out




(sourced from: crisman.scrips.mit.edu
: instantshift.com)

These two buildings, Le Centre Pompidou in Paris and the Lloyds Building in London, exhibit unconventional use of space in a similar way to the Ai Weiwei work but different. Just thought I would throw them in really, also intending to use them in conjunction with another piece.

Thursday 24 February 2011

Philosophy of Non-Space: Spatial Attachment

I think that whilst this perhaps doesn’t deal with a physical dynamic of space it is very important as an aid to understand space. People become very attached to specific places, whether it be because of a long standing relationship with the place, i.e. their home town, their house/work place etc, or a link to a good or bad memory, i.e. a holiday destination, hospital, crash site etc; emotional bonds are formed with locations which in its self could be considered ludicrous. Spatial attachment in my view does not necessarily have to be positive ether; I think it just has to be a case of a place/space provoking an emotional response.
Schroeder (1991) says of the subject that an attachment can only be formed with a place after a prolonged exposure to it over a space of time; total attachment can only come as a result of becoming accustomed to a place. He makes the definition between this and an immediate liking/attachment to a place saying that in most if not all cases this is only based on a fleeting emotion in response to the aesthetics or to an event in a specific place. He labels this distinction “Meaning versus Preference”; “meaning “being “the thoughts, feelings, memories and interpretations evoked by a landscape” and “preference” being “the degree of liking for one landscape compared to another”.
The length of time it would take for a “meaningful” attachment to grow has never really been specified however so it is a fairly ambiguous theory to a large extent. I would suggest that preference and meaning are inextricably linked in the sense that if a preference is formed for a place it speeds up the process of a meaningful attachment being made with it. It is also probable that personality traits and life experiences would play a part in the formation of attachment. Someone who has a very trusting nature may perhaps form an attachment quicker than someone who is naturally suspicious or anxious, and if someone is forcibly moved to a new area/place/space having formed a prior attachment to another place (for example someone going into witness protection or a child moving from primary to secondary education) would take longer to form an attachment to their new environment than someone who relocates through choice.
Agoraphobia is an interesting aside on this subject as an agoraphobic would find it very import that an attachment be formed to a “safe zone” ,probably their own home, and would find it extremely difficult, if not impossible, to form new attachments after this “safe zone” was specified.

Monday 21 February 2011

Eva Lofdahl


(sourced from contemporaryartdaily.com)
This is a work by Eva Lofdahl that I spotted in the Moderna Museet in Stockholm on a visit there last week. It has given me a real breakthroug in my practice and facinated me generaly with it's ambigity. I think combining this sort of stylistic influence and some of the principles derived from Ai Weiwei's "Table With Three Legs", in combinton with some of the theory I have ben looking at, could produce some really interestng results. Watch this space...

Monday 14 February 2011

obsevation my be more realistic than experiments, but it is not possible to deduce causality from them.

Friday 11 February 2011

Ai Weiwei


(sourced from dailyserving.com)
This piece is called "Table With Three Legs" (2007) and is by Ai Weiwei, from the private collection of one Mr Qiao Zhibing; it is constructed out of a Quing Dynasty table (1644-1911). I love how the piece plays with spacial convention withion a form and the idea of a very traditional object that exists on three plains, and disstorts the perceptions of the viewer in regards to use of space.

Carol Bove


(sourced from: dailyserving.com)
This work is an instalation piece by New York artist Carol Bove, it is an instalation that she has repeated several times and which changes dependant on the gallery it is in. The piece consists of metal rods (of copper or bronze in the reviews I've seen) suspended from metal mesh in direct crispondance to the starts above the gallery space. I like the imediacy of the work and the fact that it is a powerful response to space, both outer and inner.

Wednesday 2 February 2011

The Third Man



Just because it's genious.

Friday 28 January 2011

Daniel Libeskind

(sourced from archithings.com)

This is Libeskinds design for the Dresden Military History Museum. It is currently under construction but I have chosen to put it in for the simple fact that it shows greatand dynamic use of the space between buildings.



(sourced from studylanguages.org)

This is the Jewish Museum in Berlin designed by Daniel Libeskind in 1993. I admire this building, and Libeskind's work in general infact, since he uses space so effectivly. With the Jewish Museum he makes particularly good use of space form and control of light to create a mood within the building; however what most links this building to my work I feel is his use of material is a massive factor in the space's sucsess. The starkness and harshness of the lines are counter balenced by the nutrality of the material and I feel that this could be a very important thing to remeber in my work, particularly with this project.

Thursday 27 January 2011

Philosopys of Non-Space: Urbanization

Having been reading a part of "Planet of Slums" Mike Davis (2006) London:Verso, I have come accros a couple of thinkers who have writen about the concept of non-space in a loose way. They focus on the concept of urbanization and the effects of modernization on population distribution and urban growth. For the first time in history more of the worlds population lives in urban areas than rural ones, this has lead to the rapid development of cities, particularly in south east asia, sub-saharan west africa and south and central america. This in turn has led to the rise of shanties and slums and the idea of Zwischenstadt which I will come back to shortly.
First off te antropologist and sociologist Gregory Guldin speaks about the conseptualization of urbanization as "structural transformation along and intensified interaction between, every part of an urban-rural continuum". This "urban-rural continuum" is basicaly speaking the areas between cities and more specificaly in areas of multiple magalopolises (cities with populatons or more than a million) where rural areas have been absorbed into semi-urban, sub-urban or slum effectivly. Zwischenstadt is a concept along the same lines from the German anthropologist and architect Thomas Sieverts. Where as Guldin envisages his urban-rural spaces in a fairly traditionaly centred settlements along set transport lines, Sieverts cnceptualises them more as non-traditional settements with no clear or set centre. This theory obviously lends itself more to shanty towns and in some ways is a much more modern concept.
These urban-rural continuums or areas of Zwischenstadt could be thought of as non-space in some respects, particularly if you are looking at it from Auge's view point as thy do not in many ways meet his deffinition of place. However ethicaly speaking and I supose personaly speaking these areas, particularly shantys, are more cultural interesting than sub-urbia, however I supose that is largly subjective.

Rachel Whiteread


(sourced from dcist.com)
This work is called "Ghost" (1990) by Rachel Whiteread. The work is a cast of the interior of a room in a deralict house. It is about the ghost like impressions of a lived in space, particularly evocative of this idea is the blackened imprint of the fire place. I also feel that it is a very good refference to my work as it is a record of a space without purpose where purpose once was. The technical process is facinating also, makes me want to do some work with plaster or concreat, something that is blanck enough not to distract from the idea yet is fitting with the theem.

This is an image of a demolished street in Middleport, Stoke-on-Trent. The house visable was the last intact building on the street, with the resident refusing to leave. The next 3 or 4 streets (out of shot to the left) were also totaly flattened. The demolition of houseing like this and the lack of any re-build on the ground I belive is a form of non-space. It is a space without purpose where purpose once was.

Fever

(sourced from photo.net)

This image is of a bar in Newcastle-upon-Tyne, I belive, shot by Patrick O'Donoghue. It was sent to me by Mark O'Hara so a big thank you to him. It shows the use of a wasted space very nicely I feel and the idea of buildngs under bridges and underpasses etc. could be an interesting route to go down with this work at some point.

Thursday 13 January 2011

Non-sign II


(sourced from greendiary.com)
This piece, Non-sign II by Lead Pencil Studio of Seattle, was commisioned by the American government to comment on the "consiquences of advertising and demand to free some space". It fits quite well with Auge's essay once again whilst also pottentialy having socio-political connotations, ie anti capitalism. More than anything though I just think it looks really good as a piece of modern public art.
For more images and quotes from the artist:

Place and Non-place


(sourced from saatchionline.com)
This image is one of a series of three images I found on the Saatchi website by Amy Goodchild, entitled Non-space. They interested me conceptualy to a point as they tie in with Marc Auge's essay; Non-places: Introduction to an Anthropology of Supermodernity (1995) which I have started to look at. Auge argues that there is a clear distinction between place and non-place, places being areas "encrusted with historical monuments and creative social life" whilst non-places, like supermarkets, airports, moterways and hotel rooms, are simply areas "to which people are connected in a uniform manner and where no organic social life is possible. I haven't read in enough depth to fully understand or come to a conclusion on this but it deffinatly interests me. He also comments on the idea of the invasion of non-space, which seems to be a combination of non-place and digital media (computers, TV etc.) and how it is resulting in a "profound alteration of awareness: something we percieve only in a partial and incoherent manner."
for more of Amy Goodchilds work:






Monday 10 January 2011

Doris Salcedo


(sourced from killingdenouement.wordpess.com)
Doris Salcedo looks like an artist worth referencing for this work. Two of her works, both Shibboleth, 2007 (above) in the Tate Modern Turbine Hall and her work in the 2003 Istanbul Bienial exibit the use of non-space or space between. For more...
Also loving the juxter possition of the tiney little wooden house between massive clinical structures, there could be something in that too.

Friday 7 January 2011

New brief: The spaces between

(sourced from polyweb.com)

Marking the start of me actualy doing some work at uni, a project centered on the spaces between buildings.
"The spaces between buildings should be given just as much thought as the buildings themselves," Kevin McCloud

The Ghosts in the Machine





(old stuff) The Ghosts in the Machine

Monday 3 January 2011